# Vocal Direction — Music Knowledge

> Vocal type, style, and per-section assignment. Critical for character of the song.

## Vocal types

### Male voices
- **Bass** — lowest, deep, rare in pop. Use for: gospel, opera, dramatic
- **Baritone** — male standard. Use for: most male pop, rock, country
- **Tenor** — higher male. Use for: soul, classic rock, opera
- **Falsetto** — male singing in head voice (above natural range). Use for: R&B (The Weeknd), modern pop

### Female voices
- **Alto** — lower female range. Use for: soul, jazz, indie
- **Mezzo** — middle female. Use for: pop, country
- **Soprano** — high female. Use for: pop, opera, ethereal

### Other
- **Spoken word** — talking, not singing
- **Rap** — rhythmic spoken
- **Whisper** — intimate, vulnerable
- **Choir** — multiple voices

## Vocal style descriptors

### Performance type
- Lead — main melody
- Harmony — supporting voice
- Background vocals — atmospheric
- Doubled — same vocalist recorded twice for thickness
- Call-and-response — vocal answers vocal

### Delivery style
- Smooth, controlled
- Raspy, gritty
- Whispered, intimate
- Belted, powerful
- Auto-tuned
- Melismatic (multiple notes per syllable)
- Rhythmic / staccato
- Sustained / legato

### Cultural styles
- Mugham (Azerbaijani classical) — ornamented, emotional
- Gospel — call-and-response, choir backing
- Operatic — vibrato, full voice
- Yodeling — switching head/chest voice
- Throat singing — multiple tones simultaneously

## Per-section vocal assignment

Common patterns:

### Single vocalist
Verse, chorus, bridge — same person throughout.

### Duet
- Verse 1: Person A
- Verse 2: Person B
- Chorus: Both together
- Bridge: Trade lines

### Multi-vocal
- Verse: Lead alone
- Pre-chorus: Backing harmonies enter
- Chorus: Full harmonies
- Bridge: Maybe just lead, or all together

### Lead + Choir
- Lead vocalist throughout
- Choir on chorus only (or bridge)

## Vocal effects

- Reverb (wet/dry) — adds space
- Delay — echo
- Auto-tune — pitch correction (subtle to extreme T-Pain)
- Vocoder — robotic
- Distortion — aggressive
- Doubling — thickness
- Octave doubling — power

## Examples (artist references)

- **Modern R&B** (The Weeknd) — male falsetto, smooth
- **Indie folk** (Bon Iver) — male falsetto, layered harmonies
- **Soul** (Adele) — female alto, powerful, melismatic
- **Country** (Chris Stapleton) — male baritone, raspy, emotional
- **Pop** (Taylor Swift) — female mezzo, conversational, clear
- **Opera** (Pavarotti) — male tenor, full voice, vibrato
- **Mugham** (Alim Qasimov) — male, ornamented, traditional
- **Hip-hop** (Kendrick Lamar) — rap, rhythmic, varied flow

## For AI music (Suno)

Specify vocals clearly:
```
[Vocals: female alto, lead throughout, doubled with male tenor on chorus]
```

Or per section:
```
[Verse: male baritone, intimate]
[Pre-Chorus: male falsetto, building]
[Chorus: female alto lead + male harmonies, powerful]
[Bridge: duet, trade lines]
```

Suno respects vocal direction tags.

## Common vocal mistakes

- Wrong vocal type for genre
- Range outside singer's ability
- All sections same vocal style (no variation)
- Effects overdone (too much auto-tune)
- Background vocals louder than lead
- Cultural mismatches
