Encapsulation of Opus in ISO Base Media File Format
last updated: August 28, 2018
Encapsulation of Opus in ISO Base Media File Format Version 1.0.0 Table of Contents 1 Scope 2 Normative References 3 Terms and Definitions 4 Design Rules of Encapsulation 4.1 File Type Identification 4.2 Overview of Track Structure 4.3 Definitions of Opus sample 4.3.1 Sample entry format 4.3.2 Opus Specific Box 4.3.3 Sample format 4.3.4 Duration of Opus sample 4.3.5 Sub-sample 4.3.6 Random Access 4.3.6.1 Random Access Point 4.3.6.2 Pre-roll 4.4 Trimming of Actual Duration 4.5 Channel Mapping 4.5.1 ISO Base Media native Channel Mapping 4.5.2 Composition on all active tracks (informative) 4.6 Basic Structure (informative) 4.6.2 Initial Movie 4.6.3 Movie Fragments 4.7 Example of Encapsulation (informative) 5 Author's Address 1 Scope This specification specifies the fundamental way of the encapsulation of Opus coded bitstreams in ISO Base Media file format and its derivatives. The encapsulation of Opus coded bitstreams in QuickTime file format is outside the scope of this specification. 2 Normative References [1] ISO/IEC 14496-12:2015 Corrected version Information technology — Coding of audio-visual objects — Part 12: ISO base media file format [2] RFC 6716 Definition of the Opus Audio Codec [3] RFC 7845 Ogg Encapsulation for the Opus Audio Codec 3 Terms and Definitions 3.1 active track enabled track from the non-alternate group or selected track from alternate group 3.2 actual duration duration constructed from valid samples 3.3 edit entry in the Edit List Box 3.4 padded samples PCM samples after decoding Opus sample(s) which are not valid samples An Opus bitstream always contains them partially at the beginning and may contain them in part at the end, as long as not physically removed yet at the beginning and/or the end. 3.5 priming samples padded samples at the beginning of the Opus bitstream 3.6 sample-accurate for any PCM sample, a timestamp exactly matching its sampling timestamp is present in the media timeline. 3.7 valid samples PCM samples after decoding Opus sample(s) corresponding to input PCM samples 4 Design Rules of Encapsulation 4.1 File Type Identification This specification defines the brand 'Opus' to declare files are conformant to this specification. Additionally, files conformant to this specification shall contain at least one brand, which supports the requirements and the requirements described in this clause without contradiction, in the compatible brands list of the File Type Box. As an example, the minimal support of the encapsulation of Opus bitstreams in ISO Base Media file format requires the 'iso2' brand in the compatible brands list since support of roll groups is required. 4.2 Overview of Track Structure This clause summarizes requirements of the encapsulation of Opus coded bitstream as media data in audio tracks in file formats compliant with the ISO Base Media File Format. The details are described in clauses after this clause. + The handler_type field in the Handler Reference Box shall be set to 'soun'. + The Media Information Box shall contain the Sound Media Header Box. + The codingname of the sample entry is 'Opus'. This specification does not define any encapsulation using MP4AudioSampleEntry with objectTypeIndication specified by the MPEG-4 Registration Authority (http://www.mp4ra.org/). See 4.3.1 Sample entry format to get the details about the sample entry. + The 'dOps' box is added to the sample entry to convey initializing information for the decoder. See 4.3.2 Opus Specific Box to get the details. + An Opus sample is exactly one Opus packet for each of different Opus bitstreams. See 4.3.3 Sample format to get the details. + Every Opus sample is a sync sample but requires pre-roll for every random access to get correct output. See 4.3.6 Random Access to get the details. 4.3 Definitions of Opus sample 4.3.1 Sample entry format For any track containing Opus bitstreams, at least one sample entry describing corresponding Opus bitstream shall be present inside the Sample Table Box. This version of the specification defines only one sample entry format named OpusSampleEntry whose codingname is 'Opus'. This sample entry includes exactly one Opus Specific Box defined in 4.3.2 as a mandatory box and indicates that Opus samples described by this sample entry are stored by the sample format described in 4.3.3. The syntax and semantics of the OpusSampleEntry is shown as follows. class OpusSampleEntry() extends AudioSampleEntry ('Opus') { OpusSpecificBox(); } + channelcount: The channelcount field indicates the number of output channels and shall be set to the same value of the OutputChannelCount in the OpusDecoderConfigurationRecord. The value of this field may be used in the ChannelLayout if any as described in 4.5.1. + samplesize: The samplesize field shall be set to 16. + samplerate: The samplerate field shall be set to 48000<<16. + OpusSpecificBox This box contains initializing information for the decoder as defined in 4.3.2. 4.3.2 Opus Specific Box Exactly one Opus Specific Box shall be present in each OpusSampleEntry. The Opus Specific Box contains an OpusDecoderConfigurationRecord which contains the Version field and this specification defines version 0 of this record. If incompatible changes occured in the fields after the Version field within the OpusDecoderConfigurationRecord in the future versions of this specification, another version will be defined. This box refers to Ogg Opus [3] at many parts but all the data are stored as big-endian format. The syntax and semantics of the Opus Specific Box is shown as follows. class ChannelMappingTable (unsigned int(8) OutputChannelCount) { unsigned int(8) StreamCount; unsigned int(8) CoupledCount; unsigned int(8 * OutputChannelCount) ChannelMapping; } aligned(8) class OpusDecoderConfigurationRecord { unsigned int(8) Version; unsigned int(8) OutputChannelCount; unsigned int(16) PreSkip; unsigned int(32) InputSampleRate; signed int(16) OutputGain; unsigned int(8) ChannelMappingFamily; if (ChannelMappingFamily != 0) { ChannelMappingTable(OutputChannelCount); } } class OpusSpecificBox extends Box('dOps') { OpusDecoderConfigurationRecord() OpusConfig; } + Version: The Version field shall be set to 0. In the future versions of this specification, this field may be set to other values. And without support of those values, the reader shall not read the fields after this within the OpusSpecificBox. + OutputChannelCount: The OutputChannelCount field shall be set to the same value as the *Output Channel Count* field in the identification header defined in Ogg Opus [3]. + PreSkip: The PreSkip field indicates the number of the priming samples, that is, the number of samples at 48000 Hz to discard from the decoder output when starting playback. The value of the PreSkip field shall be at least 80 milliseconds' worth of PCM samples even when removing any number of Opus samples which may or may not contain the priming samples. The PreSkip field is not used for discarding the priming samples at the whole playback at all since it is informative only, and that task falls on the Edit List Box. + InputSampleRate: The InputSampleRate field shall be set to the same value as the *Input Sample Rate* field in the identification header defined in Ogg Opus [3]. + OutputGain: The OutputGain field shall be set to the same value as the *Output Gain* field in the identification header define in Ogg Opus [3]. Note that the value is stored as 8.8 fixed-point. + ChannelMappingFamily: The ChannelMappingFamily field shall be set to the same value as the *Channel Mapping Family* field in the identification header defined in Ogg Opus [3]. Note that the value 255 may be used for an alternative to map channels by ISO Base Media native mapping. The details are described in 4.5.1. + StreamCount: The StreamCount field shall be set to the same value as the *Stream Count* field in the identification header defined in Ogg Opus [3]. + CoupledCount: The CoupledCount field shall be set to the same value as the *Coupled Count* field in the identification header defined in Ogg Opus [3]. + ChannelMapping: The ChannelMapping field shall be set to the same octet string as *Channel Mapping* field in the identi- fication header defined in Ogg Opus [3]. 4.3.3 Sample format An Opus sample is exactly one Opus packet for each of different Opus bitstreams. Due to support more than two channels, an Opus sample can contain frames from multiple Opus bitstreams but all Opus packets shall share with the total of frame sizes in a single Opus sample. The way of how to pack an Opus packet from each of Opus bitstreams into a single Opus sample follows Appendix B. in RFC 6716 [2]. The endianness has nothing to do with any Opus sample since every Opus packet is processed byte-by-byte. In this specification, 'sample' means 'Opus sample' except for 'padded samples', 'priming samples', 'valid sample' and 'sample-accurate', i.e. 'sample' is 'sample' in the term defined in ISO/IEC 14496-12 [1]. +-----------------------------------------+-------------------------------------+ | Opus packet 0 (self-delimiting framing) | Opus packet 1 (undelimited framing) | +-----------------------------------------+-------------------------------------+ |<---------------------------- the size of Opus sample ------------------------>| Figure 1 - Example structure of an Opus sample containing two Opus bitstreams 4.3.4 Duration of Opus sample The duration of Opus sample is given by multiplying the total of frame sizes for a single Opus bitstream expressed in seconds by the value of the timescale field in the Media Header Box. Let's say an Opus sample consists of two Opus bitstreams, where the frame size of one bitstream is 40 milli- seconds and the frame size of another is 60 milliseconds, and the timescale field in the Media Header Box is set to 48000, then the duration of that Opus sample shall be 120 milliseconds since three 40 millisecond frame and two 60 millisecond frames shall be contained because of the maximum duration of Opus packet, 120 milliseconds, and 5760 in the timescale indicated in the Media Header Box. To indicate the valid samples excluding the padded samples at the end of Opus bitstream, the duration of the last Opus sample of an Opus bitstream is given by multiplying the number of the valid samples by the value produced by dividing the value of the timescale field in the Media Header Box by 48000. 4.3.5 Sub-sample The structure of the last Opus packet in an Opus sample is different from the others in the same Opus sample, and the others are invalid Opus packets as an Opus sample because of self-delimiting framing. To avoid complexities, sub-sample is not defined for Opus sample in this specification. 4.3.6 Random Access This subclause describes the nature of the random access of Opus sample. 4.3.6.1 Random Access Point All Opus samples can be independently decoded i.e. every Opus sample is a sync sample. Therefore, the Sync Sample Box shall not be present as long as there are no samples other than Opus samples in the same track. And the sample_is_non_sync_sample field for Opus samples shall be set to 0. 4.3.6.2 Pre-roll Opus bitstream requires at least 80 millisecond pre-roll after each random access to get correct output. Pre-roll is indicated by the roll_distance field in AudioRollRecoveryEntry. AudioPreRollEntry shall not be used since every Opus sample is a sync sample in Opus bitstream. Note that roll_distance is expressed in sample units in a term of ISO Base Media File Format, and always takes negative values. For any track containing Opus bitstreams, at least one Sample Group Description Box and at least one Sample to Group Box within the Sample Table Box shall be present and these have the grouping_type field set to 'roll'. If any Opus sample is contained in a track fragment, the Sample to Group Box with the grouping_type field set to 'roll' shall be present for that track fragment. For the requirement of AudioRollRecoveryEntry, the compatible_brands field in the File Type Box shall contain at least one brand which requires support for roll groups. 4.4 Trimming of Actual Duration Due to the priming samples (or the padding at the beginning) derived from the pre-roll for the startup and the padded samples at the end, we need trim from media to get the actual duration. An edit in the Edit List Box can achieve this demand, and the Edit Box and the Edit List Box shall be present. For sample-accurate trimming, proper timescale should be set to the timescale field in the Movie Header Box and the Media Header Box inside Track Box(es) for Opus bitstream. The timescale field in the Media Header Box is typically set to 48000. It is recommended that the timescale field in the Movie Header Box be set to the same value of the timescale field in the Media Header Box in order to avoid the rounding problem when specifying duration of edit if the timescales in all of the Media Header Boxes are set to the same value. For example, to indicate the actual duration of an Opus bitstream in a track with the timescale fields of both the Movie Header Box and the Media Header Box set to 48000, we would use the following edit: segment_duration = the number of the valid samples media_time = the number of the priming samples media_rate = 1 << 16 The Edit List Box is applied to whole movie including all movie fragments. Therefore, it is impossible to tell the actual duration in the case producing movie fragments on the fly such as live-streaming. In such cases, the duration of the last Opus sample may be helpful by setting zero to the segment_duration field since the value 0 represents implicit duration equal to the sum of the duration of all samples. 4.5 Channel Mapping 4.5.1 ISO Base Media native Channel Mapping ISO Base Media File Format, that is ISO/IEC 14496-12 [1], defines an extension ChannelLayout to the AudioSampleEntry, which conveys information of mapping channels to loudspeaker positions. The ChannelLayout enables to specify the channel layout more flexibly than the predefined layouts of the ChannelMappingFamily. To utilize the ChannelLayout for OpusSampleEntry, the ChannelMappingFamily field should be set to 255. Even when the ChannelMappingFamily field is set to another value, the assignment of each output channel to loudspeaker position specified by the ChannelMappingFamily would be changed as specified by the ChannelLayout. The procedure of the assignment is the following. 1. Decoded channels are mapped to output channels according to the ChannelMappingTable. 2. Output channels are mapped to loudspeaker positions according to the ChannelLayout. In this way, the parameters of the Opus Specific Box are processed before the ChannelLayout, and the ChannelLayout shall follow the Opus Specific Box. 4.5.2 Composition on all active tracks (informative) By the application of alternate_group in the Track Header Box, whole audio channels in all active tracks from non-alternate group and/or different alternate group from each other are composited into the presentation. If an Opus sample consists of multiple Opus bitstreams, it can be splitted into individual Opus bitstreams and reconstructed into new Opus samples as long as every Opus bitstream has the same total duration in each Opus sample. This nature can be utilized to encapsulate a single Opus bitstream in each track without breaking the original channel layout. As an example, let's say there is a following track: OutputChannelCount = 6; StreamCount = 4; CoupledCount = 2; ChannelMapping = {0, 4, 1, 2, 3, 5}; // front left, front center, front right, // rear left, rear right, LFE Here, to couple front left to front right channels into the first stream, and couple rear left to rear right channels into the second stream, reordering is needed since coupled streams must precede any non-coupled stream. You extract the four Opus bitstreams from this track and you encapsulate two of the four into a track and the others into another track. The former track is as follows. OutputChannelCount = 6; StreamCount = 2; CoupledCount = 2; ChannelMapping = {0, 255, 1, 2, 3, 255}; // front left, front center, front right, // rear left, rear right, LFE And the latter track is as follows. OutputChannelCount = 6; StreamCount = 2; CoupledCount = 0; ChannelMapping = {255, 0, 255, 255, 255, 1}; // front left, front center, front right, // rear left, rear right, LFE In addition, the value of the alternate_group field in the both tracks is set to 0. As the result, the player may play as if channels with 255 are not present, and play the presentation constructed from the both tracks in the same channel layout as the one of the original track. Keep in mind that the way of the composition, i.e. the mixing for playback, is not defined here, and maybe different results could occur except for the channel layout of the original, depending on an implementation or the definition of a derived file format. Note that some derived file formats may specify the restriction to ignore alternate grouping. In the context of such file formats, this application is not available. This unavailability does not mean incompatibilities among file formats unless the restriction to the value of the alternate_group field is specified and brings about any conflict among their definitions. 4.6 Basic Structure (informative) 4.6.1 Initial Movie This subclause shows a basic structure of the Movie Box as follows: +----+----+----+----+----+----+----+----+------------------------------+ |moov| | | | | | | | Movie Box | +----+----+----+----+----+----+----+----+------------------------------+ | |mvhd| | | | | | | Movie Header Box | +----+----+----+----+----+----+----+----+------------------------------+ | |trak| | | | | | | Track Box | +----+----+----+----+----+----+----+----+------------------------------+ | | |tkhd| | | | | | Track Header Box | +----+----+----+----+----+----+----+----+------------------------------+ | | |edts| | | | | | Edit Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | |elst| | | | | Edit List Box | +----+----+----+----+----+----+----+----+------------------------------+ | | |mdia| | | | | | Media Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | |mdhd| | | | | Media Header Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | |hdlr| | | | | Handler Reference Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | |minf| | | | | Media Information Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | |smhd| | | | Sound Media Header Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | |dinf| | | | Data Information Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | |dref| | | Data Reference Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | | |url | | DataEntryUrlBox | +----+----+----+----+----+----+ or +----+------------------------------+ | | | | | | |urn | | DataEntryUrnBox | +----+----+----+----+----+----+----+----+------------------------------+ | | | | |stbl| | | | Sample Table | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | |stsd| | | Sample Description Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | | |Opus| | OpusSampleEntry | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | | | |dOps| Opus Specific Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | |stts| | | Decoding Time to Sample Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | |stsc| | | Sample To Chunk Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | |stsz| | | Sample Size Box | +----+----+----+----+----+ or +----+----+------------------------------+ | | | | | |stz2| | | Compact Sample Size Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | |stco| | | Chunk Offset Box | +----+----+----+----+----+ or +----+----+------------------------------+ | | | | | |co64| | | Chunk Large Offset Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | |sgpd| | | Sample Group Description Box | +----+----+----+----+----+----+----+----+------------------------------+ | | | | | |sbgp| | | Sample to Group Box | +----+----+----+----+----+----+----+----+------------------------------+ | |mvex|* | | | | | | Movie Extends Box | +----+----+----+----+----+----+----+----+------------------------------+ | | |trex|* | | | | | Track Extends Box | +----+----+----+----+----+----+----+----+------------------------------+ Figure 2 - Basic structure of Movie Box It is strongly recommended that the order of boxes should follow the above structure. Boxes marked with an asterisk (*) may be present. For most boxes listed above, the definition is as is defined in ISO/IEC 14496-12 [1]. The additional boxes and the additional requirements, restrictions and recommendations to the other boxes are described in this specification. 4.6.2 Movie Fragments This subclause shows a basic structure of the Movie Fragment Box as follows: +----+----+----+----+----+----+----+----+------------------------------+ |moof| | | | | | | | Movie Fragment Box | +----+----+----+----+----+----+----+----+------------------------------+ | |mfhd| | | | | | | Movie Fragment Header Box | +----+----+----+----+----+----+----+----+------------------------------+ | |traf| | | | | | | Track Fragment Box | +----+----+----+----+----+----+----+----+------------------------------+ | | |tfhd| | | | | | Track Fragment Header Box | +----+----+----+----+----+----+----+----+------------------------------+ | | |trun| | | | | | Track Fragment Run Box | +----+----+----+----+----+----+----+----+------------------------------+ | | |sgpd|* | | | | | Sample Group Description Box | +----+----+----+----+----+----+----+----+------------------------------+ | | |sbgp| | | | | | Sample to Group Box | +----+----+----+----+----+----+----+----+------------------------------+ Figure 3 - Basic structure of Movie Fragment Box It is strongly recommended that the Movie Fragment Header Box and the Track Fragment Header Box be placed first in their container. Boxes marked with an asterisk (*) may be present. For the boxes listed above, the definition is as is defined in ISO/IEC 14496-12 [1]. 4.7 Example of Encapsulation (informative) [File] size = 17757 [ftyp: File Type Box] position = 0 size = 24 major_brand = Opus : Opus audio coding minor_version = 0 compatible_brands brand[0] = Opus : Opus audio coding brand[1] = iso2 : ISO Base Media file format version 2 [moov: Movie Box] position = 24 size = 757 [mvhd: Movie Header Box] position = 32 size = 108 version = 0 flags = 0x000000 creation_time = UTC 2014/12/12, 18:41:19 modification_time = UTC 2014/12/12, 18:41:19 timescale = 48000 duration = 33600 (00:00:00.700) rate = 1.000000 volume = 1.000000 reserved = 0x0000 reserved = 0x00000000 reserved = 0x00000000 transformation matrix | a, b, u | | 1.000000, 0.000000, 0.000000 | | c, d, v | = | 0.000000, 1.000000, 0.000000 | | x, y, w | | 0.000000, 0.000000, 1.000000 | pre_defined = 0x00000000 pre_defined = 0x00000000 pre_defined = 0x00000000 pre_defined = 0x00000000 pre_defined = 0x00000000 pre_defined = 0x00000000 next_track_ID = 2 [trak: Track Box] position = 140 size = 608 [tkhd: Track Header Box] position = 148 size = 92 version = 0 flags = 0x000007 Track enabled Track in movie Track in preview creation_time = UTC 2014/12/12, 18:41:19 modification_time = UTC 2014/12/12, 18:41:19 track_ID = 1 reserved = 0x00000000 duration = 33600 (00:00:00.700) reserved = 0x00000000 reserved = 0x00000000 layer = 0 alternate_group = 0 volume = 1.000000 reserved = 0x0000 transformation matrix | a, b, u | | 1.000000, 0.000000, 0.000000 | | c, d, v | = | 0.000000, 1.000000, 0.000000 | | x, y, w | | 0.000000, 0.000000, 1.000000 | width = 0.000000 height = 0.000000 [edts: Edit Box] position = 240 size = 36 [elst: Edit List Box] position = 281 size = 28 version = 0 flags = 0x000000 entry_count = 1 entry[0] segment_duration = 33600 media_time = 312 media_rate = 1.000000 [mdia: Media Box] position = 276 size = 472 [mdhd: Media Header Box] position = 284 size = 32 version = 0 flags = 0x000000 creation_time = UTC 2014/12/12, 18:41:19 modification_time = UTC 2014/12/12, 18:41:19 timescale = 48000 duration = 34560 (00:00:00.720) language = und pre_defined = 0x0000 [hdlr: Handler Reference Box] position = 316 size = 51 version = 0 flags = 0x000000 pre_defined = 0x00000000 handler_type = soun reserved = 0x00000000 reserved = 0x00000000 reserved = 0x00000000 name = Xiph Audio Handler [minf: Media Information Box] position = 367 size = 381 [smhd: Sound Media Header Box] position = 375 size = 16 version = 0 flags = 0x000000 balance = 0.000000 reserved = 0x0000 [dinf: Data Information Box] position = 391 size = 36 [dref: Data Reference Box] position = 399 size = 28 version = 0 flags = 0x000000 entry_count = 1 [url : Data Entry Url Box] position = 415 size = 12 version = 0 flags = 0x000001 location = in the same file [stbl: Sample Table Box] position = 427 size = 321 [stsd: Sample Description Box] position = 435 size = 79 version = 0 flags = 0x000000 entry_count = 1 [Opus: Audio Description] position = 451 size = 63 reserved = 0x000000000000 data_reference_index = 1 reserved = 0x0000 reserved = 0x0000 reserved = 0x00000000 channelcount = 6 samplesize = 16 pre_defined = 0 reserved = 0 samplerate = 48000.000000 [dOps: Opus Specific Box] position = 487 size = 27 Version = 0 OutputChannelCount = 6 PreSkip = 312 InputSampleRate = 48000 OutputGain = 0 ChannelMappingFamily = 1 StreamCount = 4 CoupledCount = 2 ChannelMapping 0 -> 0: front left 1 -> 4: fron center 2 -> 1: front right 3 -> 2: side left 4 -> 3: side right 5 -> 5: rear center [stts: Decoding Time to Sample Box] position = 514 size = 24 version = 0 flags = 0x000000 entry_count = 1 entry[0] sample_count = 18 sample_delta = 1920 [stsc: Sample To Chunk Box] position = 538 size = 40 version = 0 flags = 0x000000 entry_count = 2 entry[0] first_chunk = 1 samples_per_chunk = 13 sample_description_index = 1 entry[1] first_chunk = 2 samples_per_chunk = 5 sample_description_index = 1 [stsz: Sample Size Box] position = 578 size = 92 version = 0 flags = 0x000000 sample_size = 0 (variable) sample_count = 18 entry_size[0] = 977 entry_size[1] = 938 entry_size[2] = 939 entry_size[3] = 938 entry_size[4] = 934 entry_size[5] = 945 entry_size[6] = 948 entry_size[7] = 956 entry_size[8] = 955 entry_size[9] = 930 entry_size[10] = 933 entry_size[11] = 934 entry_size[12] = 972 entry_size[13] = 977 entry_size[14] = 958 entry_size[15] = 949 entry_size[16] = 962 entry_size[17] = 848 [stco: Chunk Offset Box] position = 670 size = 24 version = 0 flags = 0x000000 entry_count = 2 chunk_offset[0] = 797 chunk_offset[1] = 13096 [sgpd: Sample Group Description Box] position = 694 size = 26 version = 1 flags = 0x000000 grouping_type = roll default_length = 2 (constant) entry_count = 1 roll_distance[0] = -2 [sbgp: Sample to Group Box] position = 720 size = 28 version = 0 flags = 0x000000 grouping_type = roll entry_count = 1 entry[0] sample_count = 18 group_description_index = 1 [free: Free Space Box] position = 748 size = 8 [mdat: Media Data Box] position = 756 size = 17001 5 Authors' Address Yusuke Nakamura Email: muken.the.vfrmaniac |at| gmail.com