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Typeface alphabets

Bodoni

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1234567890 !@#$%^&*()

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900
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6rem (96px) 5rem (80px) 3rem (48px) 2.25rem (36px) 1.5rem (24px) 1.25rem (20px) 1rem (16px) .875rem (14px)
800
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6rem (96px) 5rem (80px) 3rem (48px) 2.25rem (36px) 1.5rem (24px) 1.25rem (20px) 1rem (16px) .875rem (14px)
700
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6rem (96px) 5rem (80px) 3rem (48px) 2.25rem (36px) 1.5rem (24px) 1.25rem (20px) 1rem (16px) .875rem (14px)
600
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6rem (96px) 5rem (80px) 3rem (48px) 2.25rem (36px) 1.5rem (24px) 1.25rem (20px) 1rem (16px) .875rem (14px)
500
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6rem (96px) 5rem (80px) 3rem (48px) 2.25rem (36px) 1.5rem (24px) 1.25rem (20px) 1rem (16px) .875rem (14px)
400
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6rem (96px) 5rem (80px) 3rem (48px) 2.25rem (36px) 1.5rem (24px) 1.25rem (20px) 1rem (16px) .875rem (14px)
300
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6rem (96px) 5rem (80px) 3rem (48px) 2.25rem (36px) 1.5rem (24px) 1.25rem (20px) 1rem (16px) .875rem (14px)
200
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6rem (96px) 5rem (80px) 3rem (48px) 2.25rem (36px) 1.5rem (24px) 1.25rem (20px) 1rem (16px) .875rem (14px)
100
A A A A A A A A
6rem (96px) 5rem (80px) 3rem (48px) 2.25rem (36px) 1.5rem (24px) 1.25rem (20px) 1rem (16px) .875rem (14px)

Italic

a b c d e f g h i j k l m n o p q r s t u v w x y z

a b c d e f g h i j k l m n o p q r s t u v w x y z

Bodoni is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. Bodoni's typefaces are classified as Didone or modern. Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville.

Bodoni admired the work of John Baskerville and studied in detail the designs of French type founders Pierre Simon Fournier and Firmin Didot. Although he drew inspiration from the work of these designers, above all from Didot, no doubt Bodoni found his own style for his typefaces, which deservedly gained worldwide acceptance among printers.

Although he drew inspiration from the work of these designers, above all from Didot, no doubt Bodoni found his own style for his typefaces, which deservedly gained worldwide acceptance among printers.

The hairline serifs and fine strokes reflected a high quality of casting, since on poor-quality printing equipment serifs had to be large to avoid wear snapping them. The smooth finish of his paper allowed fine detail to be retained on the surface. Bodoni also took care in the composition of his printing, using hierarchy and borders to create an appearance of elegance, and his range of type sizes allowed him flexibility of composition.

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